“Excursions enable us to learn more, enrich our lives, experience diverse cultures, and understand the histories of different peoples.”
– Genevieve B. Kupang, 2024

Delegates from Baguio Central University (BCU), attending the 6th International Multidisciplinary Research Conference at the Bach Viet Polytechnic, visited the Nguyen Dynasty Artifacts Museum and the 54 Ethnic Groups Jewelry Museum located at 68 Nguyen Hue Street in District 1, Ho Chi Minh City. In this enchanting setting, history came alive, inviting the BCU researchers to appreciate not just the beauty of the antiques but also the rich Vietnamese traditions they represent. The BCU delegation included Dr. Genevieve B. Kupang, the dean of the graduate school and international relations officer, along with graduands from the Doctor of Philosophy in Administration and Supervision (PHAS)—Camella Mae Mangili, Irene Wakat, and Jocelyn Nitron. During their visit, they learned about Vietnam’s rich cultural heritage.The two museums, owned and curated by passionate Vietnamese antique collector Do Hung, serve as vibrant time capsules of Vietnam’s history and culture. With a mission to preserve and celebrate the nation’s heritage, Do Hung has transformed decades of meticulous collecting into public treasures. These museums are not merely showcases of artifacts but living narratives that weave together the art, history, and identity of Vietnam. By opening these spaces to the public, Do Hung has elevated his role from a collector to a cultural custodian, ensuring that the stories behind these antiques continue to inspire and educate the present and future generations.


The Vietnam’s 54 Ethnic Groups Jewelry Museum graces the ground floor of 68 Nguyen Hue Street, while the Nguyen Dynasty Artifacts Museum elegantly occupies the eighth and ninth floors of the same building. Together, these cultural gems are part of the Do Hung Museum system, showcasing a stunning array of thousands of artifacts meticulously collected over three decades by Do Hung. His mission? To preserve and promote Vietnam’s rich historical tapestry by introducing these treasures to both locals and foreigners alike.



As they explored, the researchers felt a profound connection to their ASEAN (Association of Southeast Asian Nations) roots, recognizing shared histories and cultural threads that unite Filipinos and Vietnamese alike. The bilingual labels served as bridges between cultures, allowing them to appreciate artistry while learning about traditions behind each display. This connection fostered pride in their shared ASEAN heritage, reminding them of the deep historical ties that bind the region together.

It was a journey through time enriched by the guides’ amiable presence and meticulous attention to detail, ensuring every visitor left with a profound appreciation for Vietnam’s vibrant cultural tapestry. In this enchanting setting, the BCU researchers not only learned about Vietnam’s heritage but also celebrated their own, finding pride in being part of a region so rich in history, diversity, and shared identity. The museum guides assisted them in donning traditional attire as they posed on replicas of the queen’s palanquin—complete with matching shoes and headdress—while riding in the carriage and sitting on the throne. This playful experience added a delightful layer to their visit, making it not just an educational journey but also a memorable adventure steeped in cultural connection.

As they wandered through these museums, they were greeted by amiable guides clad in traditional Vietnamese attire, adding a delightful touch of authenticity to their experience. Their warm hospitality enhanced this journey through time as they answered queries from guests and shared stories that transformed mere artifacts into vibrant narratives reflecting Vietnam’s diverse cultural heritage.

As a cultural mapper, Dr. Genevieve B. Kupang expressed her admiration for the museum owner’s impressive collection, Do Hung: “What an avid collector and cultural custodian he is! Wow, incredible!” This visit provided valuable insights into Vietnam’s historical and cultural offerings while creating memories that would last a lifetime—proof that history is best experienced with a touch of humor and a dash of royal flair!
As a cultural mapper, Dr. Genevieve B. Kupang expressed her admiration for the museum owner’s impressive collection, Do Hung: “What an avid collector and cultural custodian he is! Wow, incredible!” This visit provided valuable insights into Vietnam’s historical and cultural offerings while creating memories that would last a lifetime—proof that history is best experienced with a touch of humor and a dash of royal flair!

Note:
Personal conversations with the museum guides at the Nguyễn Royal Museum and Vietnam’s 54 Ethnic Groups Jewelry Museum were conducted by Genevieve B. Kupang on December 8, 2024.
References:
Khamphahue. (2017). The Dragon in Nguyễn Dynasty Art. https://khamphahue.com.vn/en-us/Discover-Hue/Detail/tid/The-Dragon-in-Nguyen-Dynasty-Art.html/pid/17051/cid/485.
Nguyen, D. June 16, 2024. Ho Chi Minh City’s new museums unveil Nguyen Dynasty treasures. Tuoi Tre News. https://tuoitrenews.vn/news/ttnewsstyle/20240616/ho-chi-minh- city-s-new-museums-unveil-nguyen-dynasty-treasures/80453.html.
Quang Binh Tourism Department. (2024). The Empire of the Dragon. https://artsandculture. google.com/story/the-empire-of-the-dragon/WgKSF3GtwJ4tJA.
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